the craft of acting
Who Leads the Work
Working Actor. Not a Teacher. Not a Guru.
Emmy-nominated. Two-time SAG Award winner. Over 150 film and television credits across nearly five decades.
Still working. Still auditioning. Still on set.
Most people running acting programs stopped working years ago — or never did. Geoffrey hasn’t stopped, and he doesn’t plan to. That changes everything about what he shares and how he shares it. He works alongside actors who are serious about developing their own process. No single method. No cult of one technique. Just the real work, the kind that sustained his forty-five-year career and can sustain yours.
Instructor
"I'm not an acting teacher,
I'm an Actor who teaches."
Over 150 film and television credits spanning five decades. A proud, lifelong "That Guy in That Thing" actor who has never stopped working — and never plans to.

the way of the pros
Lee Strasberg. Stella Adler. Uta Hagen. Larry Moss. The actors who trained with them – Brando, Hoffman, Denzel, Meryl, Viola, Daniel Day, Chalamet, Michael B, Zendaya, Leonardo, Hanks, Jodie — didn't become legends by following a formula. They became legends by developing a process so personal, so specific, so internalized that it stopped looking like technique at all.

It's not about the lines,
it's about the life.
–Geoffrey Blake
What the Work Looks Like
From the moment you arrive, you are working among peers. No lectures. No passive note-taking. No watching from the sidelines. Just the work, in real time, alongside nine other actors, with Geoffrey in the room with you.
01
“Your talent lives in your choices.” What does your character want? What do they really want? – and there's a difference– How does your character serve the play, television series, or film?
02
Acting is doing and being. You act what you feel, not wat you think. Through relaxation and emotional emotional exercises, you connect with your body and bring truth to the work. Authentic, not aesthetic.
03
Sense memory and active imagination exercises develop emotional depth and specificity. Authenticity is the key to a life-long career.
04
Scene work and monologue work is where your talent grows. You take risks. You get real adjustments. You fail, refine, and go again, in real time. You build your actor's tool kit.
Why This Program Is Application-Based
Imagine doing real creative work in a room where every actor is as prepared and committed as you are. As willing to take risks. As hungry for honest feedback. As serious about the craft, or even more. That is the kind of room actors dream of, and the kind of room that makes you better.
That is why the application matters: not to judge you by credits, reels, or résumés, but to build the right room for you, one where the standard is shared, the scene partners are invested, and the work can move forward. We are not looking for perfection. We are looking for potential.
It takes five minutes to apply. No audition. No reel. No credits required. Just honest answers about where you are as an actor, what you are looking for, and what you are ready to work toward. We promise you will hear from us within 5 to 7 days.
the craft of acting
A program built around the actor. Not the curriculum.
01
Every session, you show up and work in real time with a working actor with decades of experience in theater film and television. You won't only get theory from the masters. Your training will be shaped by a career built on major sets, long collaborations with legendary actors and directors, and the discipline required to earn their respect and stay in the work for the long run. You will be asked to prepare, listen, make choices, take risks, and bring authenticity to the scene. And in return you will get what you really want: truth, honesty, and direction.
02
Ten is not an arbitrary number. It is the number that allows real work to happen.
In a room of ten serious actors, you cannot hide. You cannot coast. You cannot show up halfway and blend into the background. Everyone is seen. Everyone is challenged. Everyone has scene partners who are as invested in the work as you are. The group becomes part of the training. You work beside actors who are also trying to grow, stretch, listen better, risk more, and take the craft seriously. That kind of room matters. It raises the standard.
03
Industry Sessions are recurring ATK events where invited industry guests along with friends and family witness what the actor has built through training: how they listen, how they commit, how they take up space, how they serve the scene, and how they tell the truth under imaginary circumstances.
In a room full of people who care about this craft, conversations happen, relationships begin, opportunities surface. Show up. Come prepared. The room will be watching.
Actors enrolled in The Craft of Acting may participate in one Industry Session after completing their first six sessions. After that, Industry Sessions remain available as a recurring ATK offering for a separate fee.
04
Next Steps Sessions are recurring ATK debriefs with Geoffrey and the ATK team. In a guided group conversation, you find out exactly what the first six sessions revealed about you as an actor: what is working, what needs attention, and where your next level of growth begins.
The program ends. The work doesn't.You leave this session with direction. Not vague encouragement. Not a certificate. Not a participation trophy. A clear map for what comes next.
Actors enrolled in The Craft of Acting may participate in one Next Steps Session after completing their first six sessions. After that, Next Steps Sessions remain available as a recurring ATK offering for a separate fee.
05
This is an ongoing class, not a one-time workshop. Your initial commitment is 6 sessions at the introductory price of $500. If you miss up to 4 sessions, you do not lose them from your package; your sessions remain available for up to four weeks after the end of your initial commitment. After the first 6 sessions, continuing students may enroll in any of our session packages at continuation rates, keeping the class accessible while honoring the ongoing nature of the work.
If something is still unclear, this is the place to clear it.
About the Program
About You
About the Investment
"Fall in love with the Craft of Acting.
Fall in love with the discipline of the Craft of Acting and you will have a career.
– Geoffrey Blake
Last call
Online Intensive with Geoffrey Blake
My approach will always be positive for you.
I will always build you up, not tear you down.
You are not a student, you are my colleague."
Something brought you to this page. Maybe it was Geoffrey Blake’s name. Maybe it was the promise of work that actually goes somewhere. Maybe it was the simple, persistent feeling that you are ready for something more serious than what you have found so far.
Your feelings are worth listening to.
The application takes five minutes.
You will hear from us within 5–7 days.
